What instruments did Samuel Coleridge play?
At the age of five Samuel began playing the violin and joined the choir of a Presbyterian church in Croydon, where H.A. Walters guided his progress and arranged his admittance to the Royal College of Music in 1890.
What defines a concerto?
concerto, plural concerti or concertos, since about 1750, a musical composition for instruments in which a solo instrument is set off against an orchestral ensemble. The soloist and ensemble are related to each other by alternation, competition, and combination.
What era is Mendelssohn?
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
What is Brahms full name?
Johannes Brahms, (born May 7, 1833, Hamburg [Germany]—died April 3, 1897, Vienna, Austria-Hungary [now in Austria]), German composer and pianist of the Romantic period, who wrote symphonies, concerti, chamber music, piano works, choral compositions, and more than 200 songs.
What instrument did Coleridge-Taylor play?
His ability was obvious when young, and his grandfather paid for the boy to have violin lessons. The extended family arranged for Taylor to study at the Royal College of Music, beginning at the age of 15. He changed from violin to composition, working under professor Charles Villiers Stanford.
Was Samuel Taylor Coleridge black?
Coleridge-Taylor – a life of music and poetry
Conscious of his African descent, Taylor’s classical compositions were heavily influenced by traditional African music and this made him one of the most progressive writers of his time.
Did Samuel Coleridge write Deep River?
Deep River was composed in 1904 as part of Coleridge-Taylor’s 24 Negro Spirituals. It has remained one his most famous compositions.
What instruments did Florence Price Play?
Price composed for many types of musical forces, having written orchestral works (including four symphonies and several concertos), chamber works, art songs, works for violin, organ anthems, piano pieces, and spiritual arrangements.
Was Samuel Taylor Coleridge religious?
Throughout his life Coleridge remained an „evangelical „mystic“. The religious thought of Coleridge is discussed in the light of his growth from Unitarianism and pantheism to orthodox Christianity; he returned to the Church of England because of strictly religious considerations.
What was the quote from Samuel Taylor Coleridge?
Advice is like snow – the softer it falls, the longer it dwells upon, and the deeper it sinks into the mind. The happiness of life is made up of minute fractions – the little, soon forgotten charities of a kiss or a smile, a kind look or heartfelt compliment.
What is concertino and tutti?
A concertino, literally „little ensemble“, is the group of soloists in a concerto grosso. This is opposed to the ripieno and tutti which is the larger group contrasting with the concertino. Though the concertino is the smaller of the two groups, its material is generally more virtuosic than that of the ripieno.
What Italian word did sonata originate from?
The word “sonata” originates from the Italian word “suonare”, which means, “to sound”.
Which performance may alternate between groups or between a group and soloist?
In some cases, chant performance may alternate between groups, or between a group and soloist.
How many piano pieces did Brahms?
Brahms was a significant lieder composer, who wrote over 200 songs. His chorale preludes for organ, Op. 122, which he wrote shortly before his death, have become an important part of the organ repertoire.
What country is Hector Berlioz from?
Hector Berlioz, in full Louis-Hector Berlioz, (born December 11, 1803, La Côte-Saint-André, France—died March 8, 1869, Paris), French composer, critic, and conductor of the Romantic period, known largely for his Symphonie fantastique (1830), the choral symphony Roméo et Juliette (1839), and the dramatic piece La …
What nationality was Sibelius?
Jean Sibelius, original name Johan Julius Christian Sibelius, (born Dec. 8, 1865, Hämeenlinna, Fin. —died Sept. 20, 1957, Järvenpää), Finnish composer, the most noted symphonic composer of Scandinavia.
What religion was Sibelius?
Sibelius seemed not to have been very religious, and talked about his Christianity only as the “faith of my ancestors,” but it is known that he went to church at least once a year, on Christmas morning.
What language did Sibelius speak?
He spoke Swedish as his first language, wrote his diaries in Swedish, gave his daughters Swedish names and, when interviewed by Finnish radio in 1948 at the age of 83, asked if he might speak in Swedish (the request was firmly quashed). Sibelius was 52 when Finland became independent.
What period was Sibelius?
Jean Sibelius was a Finnish composer of the late Romantic period. His music played an important role in the formation of the Finnish national identity. The core of Sibelius’s oeuvre is his set of seven symphonies.
Did Sibelius speak English?
Therefore he became known to posterity as Jean Sibelius. He grew up speaking Swedish and learning Swedish folk melodies. Although he was fluent in Finnish and other languages, Swedish was spoken in his home throughout his life.
Why did Jean Sibelius write Finlandia?
Finlandia had its origins in political protest. It was written for the Finnish Press Pension Celebration of 1899, a thinly veiled rally in support of freedom of the Finnish press, then largely controlled by tsarist Russia. Sibelius’s contribution to the three-day pageant was a set of nationalistic musical tableaux.
What kind of music is Finlandia?
Towards the end, a calm comes over the orchestra, and the serene and melodic Finlandia Hymn is heard. Often incorrectly cited as a traditional folk melody, the Hymn section is of Sibelius‘ own creation.
|Performers||Helsinki Philharmonic Society|
What is the tune Finlandia?
The Finlandia hymn (Finnish: Finlandia-hymni) refers to a serene hymn-like section of the patriotic symphonic poem Finlandia, written in 1899 and 1900 by the Finnish composer Jean Sibelius. It was later re-worked by the composer into a stand-alone piece.